Broodcomb Press

House publisher for the peninsula

Books

Jude Golby and Another, Delivery Artefacts, Hardback 228 pp., £15 [Limited] – 2022

“I thought of the first image I’d had when told of chain-fluid, a transparent metal snake coiled so tight there was no air in the jar. I couldn’t rid myself of the sense the twist-jar was filled with clear snake, and somewhere within, equally transparent and therefore invisible, were metal snake eyes watching, and the conviction I’d had as a child – that snakes had eight eyes like a spider, spread in the same pattern – returned and cooled me to zero all over…”

Delivery Artefacts is a report from the recent past of the peninsula, where scholar Jude Golby finds that his memories of a departed friend are urgently sought by a facility sited deep in the hills between Ockmarsh and Petersdock. The report that unfolds is an unsettling addition to the Broodcomb Press family for, as the nature of the artefacts becomes clear, a world of disquiet is revealed—

A note on postage: I’ve weighed a completed package, and frustratingly the weight of the new book has pushed the P+P into the next postage bracket, which is punitively expensive. For the UK, I’ve added a small sum (splitting the difference between us for the Small Packet rate), which I hope won’t put people off. Elsewhere in the world, I’ve rounded down but, sadly, the price is still evil.

Combining orders makes the price more palatable; if you would like more than one book, drop me a line at jamie@broodcomb.co.uk and I’ll calculate a total cost.

UK £15 + £1.50 postage and packing

Europe £15 + £7.50 postage and packing

RoW £15 + £15 postage and packing

USA and Canada £15 + £15 postage and packing

Sylvia Littlegood-Briggs, Wild Marjoram Tea, Paperback 132 pp., £10 – 2021

May your pockets be deep in dust,
for each mote is a star, little one,
and your right pocket holds one world
and your left holds another.

Wild Marjoram Tea is one of the standalone texts that grow out of the peninsula’s world of weird fiction and strange tales.

As with The Night of Turns, the new book explores folklore and folk horror, yet it is also a deeply moving exploration of growing up, change and the nature of being.

Beautiful, strange and terrifying, Wild Marjoram Tea draws on a wide range of British folklore sources – from the myriad treasures of English and Scottish song to the disquieting cruelty of legend – to create a distinctive world of unsettlement.

As ever, it might not be for you—  

(The hardback has now sold out.)

UK £10 + Free postage and packing

Europe £10 + £5 postage and packing

RoW £10 + £9 postage and packing

USA and Canada £10 + £10 postage and packing

Edita Bikker, The Night of Turns, French Flaps 210 pp., £10 [Limited] – 2021

“The Night of Turns” is a tale of folk horror where caravans travel a circular path without cease, moving from garden to garden as dictated by the sinister Game of the Goose.

This is a land where unsettlement is a deeply-treasured belief; a land where theatre is used as a weapon; a land in thrall to the shadowy figure of the beekeeper—


‘[The book] is a tale of capture, a history of a seduction. I do not believe in the reality of what [Edita Bikker] describes, but neither do I see (as many have) the sinister spoor of a cult in these pages, unless it is a cult with no guru; a cult whose guru is Chance itself.” – From the preface

UK £10 + Free postage and packing

Europe £10 + £5 postage and packing

RoW £10 + £9 postage and packing

USA and Canada £10 + £10 postage and packing

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J.M. Walsh, A Journal, French Flaps 120 pp., £10 [Limited] – 2020

Written over the course of a year, A Journal engages with worlds natural and domestic, allowing the differing voices of a human life the space to communicate. These interlinked voices – engaged, trivial, wondering, sensual – create a narrative of a year, encompassing change, illness, despair and moments of great happiness.

“I decided to limit my engagement to what might be manageable on a daily basis. The form the limitation took was to allow myself the same number of words as the date, e.g. for the first of the month, I’d have a one-word allowance for the day, for the second two words, and so on until the maximum daily engagement of thirty-one words.” – J.M. Walsh

UK £10 + Free postage and packing

Europe £10 + £5 postage and packing

RoW £10 + £9.00 postage and packing

USA and Canada £10 + £10 postage and packing

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R. Ostermeier, A Trick of the Shadow, French Flaps 210 pp., £10 [Limited] – 2020

R. Ostermeier lives and works on the peninsula. This first collection of strange tales draws predominantly on the region’s folklore and history, yet also includes first-hand accounts of contemporary disquiet.

A Trick of the Shadow contains the extraordinarily unnerving ‘Object’ and the disturbing, Arthur Machen-inspired ‘A Tantony Pig’, as well as the novella ‘Bird-hags’, which in all truth might not be for you.

“I found myself thinking of these unsettling stories long after I’d finished reading them. Subtle, strange and filled with unease, the tales in A Trick of the Shadow got into my dreams.” – Ben Mee, author of Gloom Circus

07/01/2022: Please note, the second edition is currently with the printers so orders for A Trick of the Shadow will be dispatched in a couple of weeks.

UK £10 + Free postage and packing

Europe £10 + £5 postage and packing

RoW £10 + £9 postage and packing

USA and Canada £10 + £10 postage and packing

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O. Jamie Walsh, The Settlements, French Flaps 252 pp., £10 [Limited] – 2018

Set in a community where people live according to their creative drives, this “endlessly surprising novel” embodies the philosophy that life is not a narrative with a beginning, a middle and an end. Challenging, experimental, yet also human, funny and deeply moving, The Settlements is about finding worth in stories and lives cast off or considered of no use; a book about the possibility and randomness of human growth; and ultimately a (curious) love story for those who are misfits beyond the age when it is cool to be so

“In my role as omissioner, I receive summonses from all over the settlements. My function is to offer an ear, a valve for the bleeding of grief or worry or simply unspent chat, and to do this well I must adapt myself to those who live in different settlements. Anyone can call me. It costs nothing, and I offer no advice: all an omissioner does is listen, finding worth in words that would otherwise remain unspoken or forgotten.”

UK £10 + Free postage and packing

Europe £10 + £5 postage and packing

RoW £10 + £9 postage and packing

USA and Canada £10 + £12 postage and packing

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Peter Asbæk, A Mosaic Obituary, Hardback 144 pp., £10 [Strictly Limited] – 2018 SOLD OUT

Peter Asbæk’s final book is his experimental obituary, penned by 53 different people who did not know him. The hardback edition is strictly limited to 53 numbered copies only.

from Ursula Wolf’s introduction—

“Peter Asbæk conceived the project himself, the idea coming one evening when he was considering the disposal of his assets and ‘his ending’. He wanted to control the funerary ceremony […], the music, the duration, but above all the secularity of the occasion. Almost everything to do with his ending was under his control apart from the obituary, and it was while he was thinking of this the idea occurred of providing his own.

He shared his idea […] of a collaborative obituary, one whose form and end was subject to great variables. It became clear to us almost immediately any such obituary would end up not resembling an obituary at all; however, the name stuck, and the project of an open obituary – a mosaic obituary formed of many and varied impressions – was born. This final piece of work from Asbæk’s mind asked a simple question: What kind of obituary might be written by a stranger?

R. Ostermeier, Upmorchard, Hardback 96 pp., £15 [Strictly Limited] – 2021 SOLD OUT

Strictly limited to one hundred copies, and never to be reprinted as a standalone volume, Upmorchard revisits the peninsula’s past for the tale of Watts Barlik – Barley – who is drawn to an abandoned fishing hamlet and the stone artefact housed there—

“With prompting, Mrs Lofts told him all about the discovery. Out there in the darkness was what she called a spit island, Gloy Ness. The island’s geography and composition was impermanent. The shingle was endlessly reformed by storms, the tide, littoral drift. Ten years previously a feral storm uncovered a vast area of human-made artefacts. Gloy Ness was roughly five miles long, and it shifted quickly in tough-weather years so whatever the artefacts were, they took them out in case of damage (or loss) had the island reformed over it.

By this time Barley was like a dog with its teeth stuck in a toffee. He leaned towards what he could see of the woman, hoping the dark would rattle more out of her. It did—.”

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